Rat Race Reader
Kim Rudyard Kipling 1901

Novel · 1901 · English

Kim

A street kid who belongs everywhere and nowhere walks India’s greatest road beside a holy man hunting for salvation, while a British spy ring hunts for him — and he has to work out which journey is really his.

The whole novelabout 7 hours
Long Weekend16 min
Lunch Break4 min
Elevator Ride1 min
I am Kim. I am Kim. And what is Kim?
Chapter XV

The Long Weekend · the full picture · about 16 minutes

The Long Weekend

The story

A boy on a gun

Lahore, in the 1880s. A ragged boy sits astride the giant bronze cannon Zam-Zammah outside the city museum — the “Wonder House” — having just kicked a rival off it. Kipling tells us that whoever holds the gun holds the Punjab, and the joke is that this sunburnt urchin really is, on paper, the conqueror. He is Kimball O’Hara, orphaned son of an Irish soldier, “a poor white of the very poorest,” who speaks the languages of the street more easily than English and is known all over the bazaar as the Little Friend of all the World. Around his neck, in a leather amulet case, he carries everything his opium-sodden father left him: three papers and a half-remembered prophecy that one day a Red Bull on a green field would come for him, with a colonel on a horse and nine hundred devils.

Into this scene walks someone Kim has never seen before: an old Tibetan lama from a monastery beyond the high passes — tall, yellow-robed, gentle and completely out of his depth. The museum’s English curator — a loving portrait of Kipling’s own father, who ran the real museum — shows him the Buddhist carvings, gives him a pair of spectacles, and hears his quest. When the young Buddha once drew a bow that no one else could bend, his arrow flew out of sight, and where it fell a stream gushed up. Whoever bathes in that River of the Arrow will be freed from the Wheel of Things, the endless round of birth and death. The lama means to find it, and he needs a disciple to beg for him. Kim, hungry for adventure and delighted that his own prophecy now has a partner, appoints himself the old man’s chela.

Before they leave, Kim visits Mahbub Ali, a red-bearded Pathan horse-trader he sometimes runs errands for. Mahbub is secretly an agent of the British, listed in a locked register only as C25. He gives Kim a folded paper about “the pedigree of a white stallion” to carry to an Englishman at Umballa. That night Kim watches thieves search every bag Mahbub owns. The boy hasn’t even left town and he is already in the Game.

The Grand Trunk Road

At Umballa, Kim slips into the Englishman’s garden, delivers the paper, then lies hidden in the flowerbeds and listens. The “pedigree” was a warning: a group of northern kings, egged on by a foreign power, is preparing for war, and the British will answer with eight thousand men and guns. Kim says nothing to the lama, but he rather enjoys knowing.

Then comes the road. The pair ride a crowded third-class train, where Kim charms and cheats his way into everyone’s good books, and set off on foot down the Grand Trunk Road, which Kipling calls “such a river of life as nowhere else exists in the world.” This is the heart of the book: wedding processions and policemen, Brahmins and barbers, pilgrims, moneylenders, holy men and thieves, all moving under the trees in the white dust. An old soldier who fought for the British in the rebellion of 1857 rides a stage with them, remembers the uprising as a madness, and treats Kim like a grandson. A garrulous widow from the hill country of Kulu, travelling in a curtained bullock-cart with a small army of servants, adopts them both, haggles with the lama for charms and prayers for her grandchildren, and never once stops talking. Kipling simply calls her the Sahiba.

Kim is in heaven: begging, bargaining, lying for the sheer craft of it. The lama drifts through the same scenes serenely, treating the world as an illusion and its kindnesses as gifts. Between them is a love that neither quite expected.

Kipling, who spoke Hindustani with servants as a small child in Bombay, gives every one of these people a voice. The dialogue is full of old-fashioned “thee” and “thou,” his way of signalling that we are hearing Indian languages rendered into English, and the effect is of a whole continent talking at once. It is the least hurried adventure story ever written, and that is its charm: the plot can wait while a farmer argues about his sick child or a policeman jokes about the soldier’s sword.

The Red Bull

One evening they reach an army camp, and over it flies a flag with a red bull on a green field. It is the Mavericks, Kim’s father’s old Irish regiment. Creeping close to look, Kim is caught. The chaplains open his amulet — the stiff Anglican, Mr Bennett, and the warmer, wiser Catholic, Father Victor — and realize that this native-looking beggar boy is the son of one of their own. The prophecy has come true, and it is a trap. The regiment means to make him a Sahib: an orphanage, a drummer’s uniform, boots.

The lama is heartbroken but accepts that his chela belongs to another world. Then he astonishes everyone. Through a Jain temple in Benares he arranges to pay three hundred rupees a year so that Kim can go to the best school in India, St Xavier’s in Lucknow. The officers simply cannot understand how a begging priest can pay for a white boy’s education.

Someone else is paying attention. The Englishman who received the stallion’s pedigree is Colonel Creighton, a scholarly officer of the Ethnological Survey who quietly runs British intelligence in India. A boy who can pass for anything, who knows the bazaars from the inside and keeps his mouth shut, is exactly what he needs. When Kim begs Mahbub Ali to help him escape the regiment, Mahbub refuses kindly: “Once a Sahib, always a Sahib.” Kim, staring at his new boots, is not at all sure.

Two schools

St Xavier’s teaches Kim mathematics, surveying and how to be an Englishman, and he learns, sulkily at first and then hungrily, because he is quick and because Creighton has promised him work on the Survey of India. But on his first holiday he gets a dancing-girl to stain his skin, spins her a story about a sweetheart, and vanishes into the crowds. Creighton, rather than punishing him, is impressed.

After that the holidays become a second, secret school. Mahbub Ali takes him north with his horse caravan, and in a railway yard one night Kim overhears two men planning to shoot Mahbub as he sleeps; he fakes a screaming nightmare to slip away unnoticed and warns his friend in the dark. Then Mahbub delivers him to Simla, to the shop of Lurgan Sahib, a dealer in jewels, masks and curiosities who is one of Creighton’s most gifted operators. Lurgan tests the boy at once: he smashes a jar and, with a hand on Kim’s neck, tries to make him see it whole again. Kim feels the illusion closing over him and breaks it by reciting his multiplication tables — in English. Lurgan is delighted.

Then the training begins: the Jewel Game, in which a tray of stones is shown for a minute, covered, and described down to the last flaw; disguise; the art of becoming someone else completely. Here Kim also meets Hurree Chunder Mookerjee, a stout Bengali “babu” with a Calcutta degree, a magnificently peculiar English and a dream of being elected to the Royal Society. He looks like comedy. He turns out to be one of the bravest people in the book.

Kipling makes the contrast plain without spelling it out. One school, St Xavier’s, is turning Kim into a Sahib; the other, run by Creighton’s people, is teaching him to be anyone at all. Kim, characteristically, enjoys both, and finds the moments when he can slip back into a dhoti and squat by a cooking fire the sweetest of all.

Back on the road

After three years, at about sixteen, Kim is released. In a room above a tobacco shop in Lucknow, a blind courtesan named Huneefa stains him, dresses him as a young Buddhist novice and chants him under magical protection, while Hurree hands him a small silver amulet: the hidden badge of Creighton’s service, with a password to go with it. Kim rejoins the lama, who has spent the years waiting patiently at the temple in Benares. Their search resumes, but now Kim carries a second life folded inside the first.

It is tested almost at once. On a train Kim meets a terrified man in a torn shirt, a Mahratta agent known only as E23, with killers on his heels. Using ash, a painted caste-mark, a rewound turban-cloth and pure nerve, Kim turns him in minutes into a wild-haired holy man so convincing that his pursuers look straight through him. Kim feels the thrill of the Game “with a vengeance.”

They stop again with the Sahiba, now settled near Saharunpore. The lama, who has begun to long for his mountains, decides the River might be found in the hills. By the happiest of coincidences — though nothing in this book is really a coincidence — Hurree has urgent business up there too.

Into the snows

Two foreign agents, a Russian and a Frenchman, are mapping the Himalayan passes and carrying letters from two hill rajahs, Hilás and Bunár, who have agreed to sell them the way into India. Hurree attaches himself to them as an eager, cowardly-seeming guide, playing the silly babu so well that they never suspect he is steering them to ruin.

High among the snow peaks, Kim and the lama meet the strangers. The lama has drawn a beautiful chart of the Wheel of Life, and the Russian wants to buy it. When the old man refuses, the Russian snatches at it, tears it, and strikes him in the face. Every Irish devil in Kim’s blood wakes up; he hurls the man down the hillside and gets him by the throat. The hill porters, horrified by the sacrilege, flee into the dusk with all the baggage — including a basket full of maps, letters and reports.

At Shamlegh, a cluster of huts under the snow, the porters divide the loot. Kim claims the papers. With help from the Woman of Shamlegh — a hill woman who was once a Christian convert and was left behind by an Englishman who promised to come back for her — he goes through the baskets, keeps everything that matters, wraps it in oilskin and tips the rest off a cliff. Hurree, meanwhile, leads the beaten foreigners down the mountains, sympathetic to the last.

But the blow has hurt the lama somewhere deeper than his face. In the moment he was struck, he wanted the porters to kill the Russian. “Just is the Wheel, swerving not a hair!” he says: his love of the hills was a kind of pride, and the River must lie in the plains after all. They must go down.

Down from the hills

The descent nearly finishes them both. The lama travels in a litter carried by hill-men; Kim walks beside him, worn thin and feverish, guarding the oilskin packet against his chest. By the time they reach the Sahiba’s house, Kim has collapsed. The old woman takes charge, and with herbs, massage and nonstop scolding she bullies him back towards life.

Hurree arrives, takes the packet, and almost bursts with pride: the mission is a triumph, the foreign plot is broken, and the boy is the hero of it. But Kim, now free of his burden, comes apart. His body is weak and his mind feels like a gear that has slipped off its machine. In the book’s most famous passage he sits staring at the world and repeats, “I am Kim. I am Kim. And what is Kim?” Then the tears come, and with an almost audible click, the world locks back into place: roads are for walking, fields for ploughing, people for talking to. He lies down on the warm earth beside an empty cart and sleeps.

The River of the Arrow

While Kim slept, the lama fasted and meditated for two days and nights. Now he comes to tell his chela what happened. His soul rose free of his body and saw the whole of India at once, every place and every person; he was on the very brink of release into the Great Soul when he remembered his disciple, and he turned back. Coming to himself, he found he had fallen into a stream, and Hurree, disguised as a doctor, was holding his head above the water. It was the River of the Arrow — right here, behind a mango grove, at their feet. The Search is over. He has won freedom for himself and he has given it up, for now, to bring Kim with him.

The novel ends on the old man’s smile, “as a man may who has won salvation for himself and his beloved.” Nearby, Mahbub Ali is waiting to carry Kim back to the Great Game, and Creighton has a job ready for him. Kipling never says which way the boy goes. He leaves him exactly where he has always been happiest: between two worlds, loved by both.

It is a strange and moving ending for a spy novel. The Great Game has been won in the mountains, but the book’s real climax is a frail old man in a borrowed house telling a boy he loves that they are both saved. Readers have argued ever since whether Kim will become a professional agent, a seeker, or somehow both — and whether Kipling, who loved both worlds as much as his hero did, could have imagined any answer that didn’t break his heart.

The timeline

Swipe or scroll along

  1. Chapter IOn Zam-Zammah in Lahore, Kim meets the Teshoo Lama and becomes his chela; Mahbub Ali gives him a secret message.
  2. Chapter IIAt Umballa, Kim delivers the “stallion’s pedigree” to Colonel Creighton and overhears plans for war.
  3. Chapters III–IVOn the Grand Trunk Road with the old soldier and the Sahiba from Kulu.
  4. Chapter VKim finds the Red Bull flag of the Mavericks, his father’s regiment, and is claimed as a Sahib.
  5. Chapters VI–VIIThe lama pays for Kim’s schooling at St Xavier’s in Lucknow; Creighton takes an interest.
  6. Chapter VIIIOn holiday Kim saves Mahbub Ali from assassins.
  7. Chapter IXLurgan Sahib trains Kim in Simla with the jar illusion and the Jewel Game; Kim meets Hurree Babu.
  8. Chapters X–XIKim leaves school at about sixteen, rejoins the lama and saves the hunted agent E23 on a train.
  9. Chapters XII–XIIIKim, the lama and Hurree head into the Himalayas, where the Russian strikes the lama and Kim fights him.
  10. Chapter XIVAt Shamlegh, Kim seizes the foreign agents’ papers with help from the Woman of Shamlegh.
  11. Chapter XVBack at the Sahiba’s house, Kim hands over the papers, recovers from collapse, and the lama announces he has found the River.

The people

12 you’ll want to know

The Road

Kim (Kimball O’Hara)

Orphan, chela, apprentice spy

The orphaned son of an Irish soldier, raised in the Lahore bazaars and more at home in Indian disguise than in English boots. He is curious, cocky, generous and a gifted liar, equally devoted to the lama and to the thrill of the Game. Over the novel he grows from a street urchin who never questioned who he was into a young man who asks, out loud, “Who is Kim?”

The Teshoo Lama

Tibetan abbot seeking the River of the Arrow

An old lama from a monastery in Tibet, learned, simple and almost childlike in the world of trains and money. His search for the River gives the book its shape, and his love for Kim gives it its heart. He pays for Kim’s schooling, forgives everything, and in the end gives up his own release for his disciple.

The Sahiba

Widow from Kulu

A wealthy, sharp-tongued old lady from the hills who travels in grand style, talks without pause and adopts the lama and Kim as her own. Comic at first, she becomes the novel’s great healer, nursing Kim back from collapse with herbs, scolding and plain motherly love.

The old soldier

Veteran of 1857

A retired Indian cavalry officer who stayed loyal to the British during the 1857 rebellion and remembers it as a madness. He welcomes the travellers and is moved by the lama. Critics, Edward Said among them, point to him as the novel’s convenient Indian witness for the Raj.

The Great Game

Mahbub Ali

Pathan horse-trader and secret agent C25

A big, red-bearded horse-dealer from the north who uses his caravans as cover for spying. He is shrewd, worldly and wickedly funny, and he loves Kim as fiercely as the lama does, but he wants the boy for the Game.

Colonel Creighton

Spymaster

A quiet, bookish officer who studies Indian peoples and secretly directs British intelligence. He sees Kim’s value at once and lets the boy’s wild streak run, because a spy who can vanish is worth more than one who obeys. His dream, touchingly, is to be elected to the Royal Society.

Lurgan Sahib

Jeweller and trainer of spies

A Simla shopkeeper surrounded by masks, jewels and strange objects, with a gift for hypnotic illusion. He tests Kim’s mind, teaches him the Jewel Game and the arts of disguise, and turns raw talent into a professional.

Hurree Chunder Mookerjee

Bengali agent, the “Babu”

A plump, talkative graduate who calls himself “a fearful man” and plays the comic babu so well that enemies never take him seriously. Under the act he is brave, brilliant and loyal, and the climax in the mountains is his triumph as much as Kim’s. He longs to write for the Royal Society.

E23

Hunted agent

A Mahratta spy fleeing assassins on a train, saved when Kim disguises him as a holy man. His brief appearance shows Kim the danger of the Game for the first time.

The Sahibs

Father Victor and Mr Bennett

Regimental chaplains

The two chaplains of the Mavericks who discover who Kim really is. Bennett is narrow and suspicious; the Irish Catholic Victor is shrewd and kind, and sees that the boy is something out of the ordinary.

The Enemy

The Russian and the Frenchman

Foreign agents in the hills

Two officers mapping the passes and buying the loyalty of hill rajahs for the Tsar’s side. Kipling paints them as arrogant and clumsy among the hill people; the Russian’s blow to the lama sets off the climax and costs them everything.

The Hills

The Woman of Shamlegh

Hill woman

A proud, bitter, generous woman who once lived at a mission, spoke English and was abandoned by an Englishman who promised to return. She helps Kim save the papers, half in love with him for reminding her of her lost Sahib. Kipling had told her earlier story in “Lispeth,” and he names her Lispeth here.

The themes

Who is Kim?

Kim is Irish by blood, Indian by upbringing, Catholic by paperwork and Buddhist by discipleship, and he changes identities as easily as clothes. At first he never wonders who he is. Then, sent off to school as a Sahib, he asks “Who is Kim?” and his head swims; by the end, broken by fever, he repeats “I am Kim. I am Kim. And what is Kim?” until the world clicks back into place. Kipling treats this doubleness as both a gift and a wound: it makes Kim a perfect spy, and it means he never fully belongs anywhere.

The road as life

The Grand Trunk Road is less a setting than a character: a “river of life” carrying every caste, creed and trade in India. Kim loves it because it is endlessly various; the lama tolerates it because, to him, all of it is illusion. The book’s rhythm is the rhythm of walking, and its happiest pages are simply lists of people passing by.

The Game and the Way

Kim serves two masters: the Great Game of spying, and the Way of the lama. One is about watching, action and power; the other about stillness, detachment and letting go. For most of the book Kim ignores the contradiction — the lama gives him cover, the Game gives him purpose — and Kipling never makes him choose. Whether the two can really live together in one person is the question the ending leaves open.

Love across difference

The novel’s deepest feeling is the bond between a Tibetan monk and an Irish street boy, two people who should have nothing in common. Around them gather other unlikely loves — Mahbub’s gruff affection, the Sahiba’s nursing, Hurree’s pride in his young colleague. Kipling writes about these loyalties with a tenderness rare in his work.

Knowledge as power

The British in Kim rule by knowing: surveying, mapping, cataloguing peoples, memorizing trays of jewels. Creighton is an ethnologist and a spymaster at once, and the Survey of India is a cover for intelligence. The novel admires this knowledge, but it also shows, perhaps without meaning to, how closely studying a people and controlling them are tied together.

Seeing and illusion

Lurgan’s broken jar, the Jewel Game, Kim’s disguises and the lama’s belief that the world is maya all ask the same question: what is real, and who decides? Kim survives by seeing clearly and making others see falsely; the lama is freed by seeing through everything. The book’s ending, where the solid world returns to Kim, suggests that both kinds of seeing matter.

The lessons

for life in the rat race

  1. You can belong to more than one world

    Kim is never more alive than when he is moving between languages, faiths and classes. People with mixed backgrounds, careers or loyalties often feel they must pick one; Kim suggests the in-between can be a home, even if it sometimes costs you a sense of certainty.

  2. Train your attention

    The Jewel Game is a reminder that observation is a skill, not a talent. A minute of real attention to a room, a person or a problem can reveal what hours of half-attention miss.

  3. Find a teacher who loves you

    The lama teaches Kim nothing practical, yet he changes him more than any school. The mentors who shape us most are often the ones who care for us, not the ones with the best curriculum.

  4. What you seek may be at your feet

    The lama crosses half of India and climbs into the snows looking for his River, and finds it behind a mango grove near a friend’s house. Sometimes the answer arrives only when we stop straining after it.

  5. Love a book and question it

    Kim is beautiful, generous and full of real affection for India, and it also takes British rule for granted. You don’t have to choose between enjoying it and seeing its blind spots; doing both is what good reading looks like.

The takeaways

The usual reading

A love letter to India

Most readers and critics see Kim first as Kipling’s great tribute to the India of his childhood: its crowds, faiths, landscapes and languages, drawn with a delight no other English novelist matched. Its plot is thin; its world is enormous.

Two quests that become one

The usual reading sets the lama’s spiritual search beside Kim’s worldly one and argues that the novel reconciles them: both are searches for freedom, both depend on love and discipline, and both end with something found that was close all along.

A coming-of-age adventure

Kim is also a classic boy’s adventure and the first great spy novel: an orphan finds fathers, a vocation and an identity, learning the tradecraft of the Great Game as he grows up. Read this way, it is a story about becoming yourself.

Other ways to read it

Post-colonial (Edward Said)

In his 1987 Penguin introduction, later reworked in Culture and Imperialism (1993), Edward Said called Kim a great novel and argued that it is also a deeply imperial one. As he saw it, Kipling cannot imagine a real conflict between Kim’s love of India and his service to the Raj, because British rule appears as the natural order of things; Indians who matter in the book, like the loyal old soldier, endorse it, and resistance barely exists. Kim’s joyful freedom to roam and disguise himself is a privilege only the ruling side enjoys. Later critics such as Harish Trivedi have pushed back, finding the novel more Indian and more open than Said allowed.

Buddhist

Read through the lama, the novel is a Buddhist parable. The Wheel of Things turns through every chapter, the lama’s wrong turn into the hills is a lesson in attachment, and his final choice — turning back from release to free his disciple — echoes the bodhisattva ideal of delaying one’s own liberation for others. Kipling’s Buddhism is affectionate rather than scholarly (the River of the Arrow is drawn loosely from legend), but the lama’s goodness is never mocked.

Identity and coming of age

A psychological reading focuses on Kim as a boy with no parents and too many identities. His collapse at the end is a breakdown of the self he has built from disguises, and his recovery — lying on the earth as the world clicks back into place — is a rebirth into adulthood. Critics drawing on Homi Bhabha’s idea of hybridity, such as Bart Moore-Gilbert, see his in-between state as more unsettling to empire than Kipling intended.

Espionage

Kim reads as a founding text of the spy story: an intelligence service run by scholars, agents known by numbers, recognition codes, safe houses, memory training and deep cover. Historians note that Kipling made the real Great Game far tidier and more centralized than it was, but he caught its romance so well that later spies, including Kim Philby, took the name.

In their words

from the original

And truly the Grand Trunk Road is a wonderful spectacle. It runs straight, bearing without crowding India’s traffic for fifteen hundred miles—such a river of life as nowhere else exists in the world.
Chapter III
Once a Sahib, always a Sahib.
Chapter VI (Mahbub Ali)
No; I am Kim. This is the great world, and I am only Kim. Who is Kim?
Chapter VII
Now I shall go far and far into the North playing the Great Game. Truly, it runs like a shuttle throughout all Hind.
Chapter XII
When everyone is dead the Great Game is finished. Not before.
Chapter XII (Hurree Babu)
Just is the Wheel, swerving not a hair! Learn the lesson, chela.
Chapter XIV (the lama)

Did you know?

  • The cannon Kim sits on in the first sentence is real: the Zamzama gun still stands on the Mall in Lahore, outside the museum where Kipling’s father, John Lockwood Kipling, was curator. His father also modelled the low-relief plaques used to illustrate the first editions.

  • Lurgan Sahib’s memory test became “Kim’s Game,” which Robert Baden-Powell adopted for the Boy Scouts; it is still used in scouting and observation training today.

  • The double agent Kim Philby got his nickname from the novel: his father, who served in India, named him after Kipling’s boy spy.

  • Kipling didn’t coin “the Great Game.” The phrase is usually credited to the British officer Arthur Conolly around 1840, but it was Kim that made it famous.

  • Hurree Babu is widely thought to draw on the real Indian “pundits” who secretly mapped Tibet for the Survey of India, such as Sarat Chandra Das, who reached Lhasa in 1881.

Ready for the real thing?

Kim is in the public domain, so it’s free to read. It runs to about 105,000 words (some 340 pages), about 7 hours of reading. You know the story now. Reading it will still surprise you.

Read it free at Project Gutenberg

Set in
British India — Lahore, the Grand Trunk Road, Lucknow, Simla and the Himalayas
When
About the 1880s–1890s, at the height of the Great Game
First published
1900–1901 (serialized in McClure’s Magazine, December 1900–October 1901, and Cassell’s Magazine, January–November 1901); October 1901 as a book (Macmillan in London, Doubleday, Page in New York)
Kind of book
Adventure novel, Spy novel, Coming-of-age novel, Picaresque

Why it still matters

Kim is Kipling’s masterpiece and one of the great road novels in English, so packed with the noise and colour of India that the Bengali writer Nirad C. Chaudhuri called it the finest story about India in English. It made “the Great Game” a household phrase, gave the world a famous memory game, and since Edward Said’s 1987 introduction it has been the classic test case for how to read a book that truly loves a country while serving the empire that ruled it.

Where this guide comes from

Researched from the sources below and written for Rat Race Reader in our own words. Quotations are from the public-domain text. This guide is a first draft and is still being checked.

Make it yours

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness… — Dickens

Colours

Typeface

Book serifs

Modern serifs

Sans serifs

Special

Size and spacing

Width of the text

Edges

Movement

Full: drifting scenes, page turns and fades. Gentle: fades only. Still: nothing moves.

Listening

The Listen button on each work reads it to you with your device’s own voice: nothing is sent anywhere.